Follow Miranda Armstadt as she charts the uncharted waters of selling a brand new novel in a world full of robotic regurgitation. It might surprise you...
I'm not sure there's an easy answer to that question. But I'm continuing to figure it out.
A trial ad on digital 'Stripes'--targeted toward DC, Virginia and Maryland--didn't yield anything, despite getting 187 clickthroughs on almost 26,000 impressions. Sigh.
Disappointing, but what can you do?
I have returned to FB and X, and am slowly building up my "brand" as a commentator on geopolitical issues, a sharpshooter, and a witty hellion. Interestingly, although as of this writing I only have thirteen followers on X, their latest report told me my tweets had some 8.5 THOUSAND impressions. Since I'm frankly far more interested in having people see my tweets than follow me, that's fine with me.
There have been a trickle of sales in March, definitely not the outpouring I got in what was essentially my first month in February. But I now have THREE five-star reviews (woohoo) and at least I am getting my brand out into the world.
Being very picky about any future advertising efforts. When you look at how many books you'd have to sell just to break even, it seldom seems viable. But, I'm not ruling the possibility out.
Recording in a professional studio for the audiobook version of 'Degrees of Intelligence' has begun. It's just me, a soundproof booth, a studio engineer with 30 years under his belt, and ACX's stipulations for how to submit files.
I have an extensive background in acting, singing, and broadcasting, so being in front of a perfectly positioned mic is so much fun for me. Because so many of the characters in my novel are based on family members or their colleagues, I have more than the usual amount of fodder to bring these people to life.
With several British accents to be mastered, I've done Skype sessions with a former newswriter I know who's British. I've also listened to videos of Churchill, Queen Elizabeth, and numerous accent-promoting tutorials. I've discovered I cannot master Cockney--fortunately, there are other, less specific working class accents I can handle. Posh comes easily to me, as does the slightly watered down "grammar school" RP that is the accent of broadcasters and many Londoners.
Make no mistake: you need time and professional equipment to do a high-quality audiobook book. Yes, it's an expensive project, but at least I don't have to pay the talent haha. I think writers underestimate how difficult it is to create a truly soundproof studio--where I am recording, there are double heavy metal doors to the outside, like a CIA bunker. And the engineer makes sure the mic is positioned perfectly, has me do two general takes of each page and pickups on flubs or where my voice may have gotten gravelly.
Best of all, he really likes the story. And I enjoy bringing it to life.
It will be a year to get this out, because both to protect my voice and my wallet, we are doing just four chapters per month in the studio. The engineer then works his magic and sends me each chapter as a file.
I think it will be worth waiting for. Stay tuned.
I am reasonably well-versed in marketing, and I also think writers are too dependent on "advice" from people who make money selling advice.
You have to think about who your core demographic is and what they likely read the most.
One key demographic for my new geopolitical thiller 'Degrees of Intelligence' is the military and IC crowd. But even within that, I have to try to zero in on specifically who this story will most likely resonate with. My guess is: active-duty and retired over-40 and probably predominantly male (I don't want to discourage any women from reading the story, this is just my gut feeling).
I decided to try some advertising with 'Stars and Stripes,' the pre-eminent news source for the military and Washington/defense crowd. I have to say, I've been super impressed with the ad sales guy I got: not even slightly slick, incredibly informative, and really willing to stretch my small ad budget for max effect.
I asked him if he'd had any other authors advertise on Stars, and he could only recall one. That's just less competition, in my eyes.
They have many ways to reach audiences, and he's gone above and beyond in being helpful with trying to tailor-make an ad program for me. Will it work? Who knows. We're going to do a three-month trial and see what happens.
I did the math, and if I get .002 return (i,e, sales), I am slightly in the black. Just 2/10ths of one percent: that seems like a very low number, but I am assuming book sales ROI and say, car sales ROI are not comparable. You have to assume you will get a lower buy-through rate, and all the ad really does is get people to your website with a short headline and book graphic and a hyperlink to your site.
I do have my site set up for an easy buying experience already (I always say, when you want people to do something, make it easy!)
Here's the thing, my fellow writers: you have to take some chances in life. Personally, I think social media is overrated as a place to hawk books, generally speaking. On top of which, I am off all sm and have no desire to return.
So I'm going to give this a try, and we'll see what happens. The thing with Amazon is every sale boosts your visibility, so potentially that's doubling your ad dollars.
Stay tuned. If this is a success, I can make more big bucks pretending I know what I'm doing with other authors.
I don't even know where to start. After five long years of writing and research, followed by several months of final refinements to the cover art, creating various versions, and the ever-delightful format proofing process...'Degrees of Intelligence' is online at last.
Amazon has been smooth...Barnes and Noble online, not so much. A reflection of resources, fixes, experience in the indie market...anyhoo...
First, let me say I have been pleasantly surprised at Amazon's print quality, after years of hearing horror stories about case laminate hardcovers in particular. At least my proof copy was flawless from a print standpoint--my only negative being that somehow the binding, or perhaps the way the case laminate cover is applied, made one slight gap in the middle of the interior.
I put it under something heavy overnight, which fixed the issue about 80%. It doesn't affect the reading experience at all. The paperback is just plain flawless--no issues whatsoever. I had heard stories about fingerprints on matte covers--nothing whatsoever on mine.
January 28 was the official launch day. I had previously had it set for much later in February, but once I saw my two proofs, I decided to just let 'er rip.
By January 29...and mind you, this is with no social media presence in about 16 months, no ads whatsoever, and no reader reviews (I do have three amazing editorial reviews on the back cover, from extremely credible and respected members of the writing community)...anyway, by January 29, everything started to go crazy.
Suddenly I was in the top 100 on Amazon's Jewish Historical Fiction list...a category that I have to assume is not small. At one point, I was at #57. As of this writing, I am #96. But what is crazier is that pretty steadily for the past 24 hours, I have been at #5 to #7 for New Releases in Jewish HistFic.
Obviously this is a level of exposure that no amount of money can buy. And while my numbers haven't been as stunning in my many other categories, right now, the paperback version is at #484 in Historical WWII Fiction and #854 in Military Thrillers, both of which must be quite large categories.
I would tell you how many books I have sold if I had any clue. Amazon is apparently so overwhelmed by the tsunami they literally haven't shown a single sale for either paperback or hardcover, and only six pre-orders for the Kindle edition, which officially hits Feb. 1.
Since there's nothing I can do to speed them up, and since I hear this is commonplace, I am just going to impatiently wait for the big, big money to show up. Seriously, I imagine it has to be a couple hundred to hit these categories, but we shall see and all y'all will be the first to know.
Meanwhile, I have been most amused at my new massive AI biography on Google. It's largely stolen from my self-written bio and story overview, which is why you should make sure--now more than ever--that yours is brilliant.
I have also been mildly amused that AI cannot appreciate a good triple entendre, and thus has completely missed the "college" degree aspect, as represented by the story opening at Harvard in 1943. Personally, I am ever delighted at AI's lack of brilliance, but I will say the sales pitch they've done isn't bad.
Hilariously, they have noted there is no public information on any degrees in espionage I may hold hahah. The irony of that on five levels is truly very, very funny.
Ok, I need to go check my Amazon stats for the 419th time in 24 hours. Please buy a copy and keep me defying reality as an indie author/publisher.
And I thank you.
For anyone interested in seeing the aforementioned AI summation that sprang up overnight about my new novel, here you go.
As I said, it's basically stolen from my own bio and book description. AI is the new brain-eating amoeba, coming for us all...
I'm not sure what they mean by "is considered"-- it's my 2nd novel.